FINALE OF SEASON 5: DEAR DAWN, MANY DEATHS II 

 

PIP 

This episode is dedicated to Lydia Ames, who will fall of Whitby pier, and come back as a coffin maker on the Isle of Lewis.  

 

Thank you to Lydia, and thank you to all our patrons who keep this show alive. If you’d like to become part of our patreon community, get early ad free access to episodes and bonus content, as well as supporting our team, go to ameliapodcast.com for more info. But for now, enjoy the episode.  

 

 

 

PROLOGUE 

 

MONMARTRE CEMETERY. EARLY HOURS OF THE MORNING. 

 

ALVINA 

(CAN'T STOP LAUGHING)  

INTERVIEWER 

Alvina!  

ALVINA 

You were a druid! A druid! An actual druid!  

INTERVIEWER 

Ok, it's not that funny -  

ALVINA 

A druid! And you toppled stone henge!  

INTERVIEWER 

It was a very long time ago -  

ALVINA 

Yes! Three thousand years ago!  

INTERVIEWER 

Give or take.  

ALVINA 

You were a druid, three thousand years ago and you toppled stone henge!!! 

INTERVIEWER 

Can we please let bygones be bygones -  

ALVINA 

A druid! A druid! An actual cloak and staff getafix druid! Did you have a beard! I bet you had a beard! A really really really long beard! How long was your beard?  

INTERVIEWER 

Alvina, being a druid was a very solemn and sacred thing back then.  

ALVINA 

Exactly! And then you go and topple -  

INTERVIEWER 

Yes yes, I think we've got that now.  

ALVINA 

A clumsy druid!  

INTERVIEWER 

Don't make me regret telling you that story.  

 

THEME TUNE.  

 

MAIN EPISODE. 

 

INTERVIEWER 

You've stopped making fun of me?  

ALVINA 

I wasn't making fun of you.  

INTERVIEWER 

No?  

ALVINA 

Not at all. It's just -  

INTERVIEWER 

Yes?  

ALVINA 

You're such a strange man.  

INTERVIEWER 

Hm.  

Beat 

In a good way?  

ALVINA 

In a good way.  

 

(PAUSE. FIRST SOUNDS OF THE CITY AROUND WAKING UP) 

 

ALVINA 

The sun is rising.  

INTERVIEWER 

So it is.  

ALVINA 

We've been here for almost ten hours. 

 

(SHEBA MEOWS) 

 

INTERVIEWER 

What are you thinking?  

ALVINA 

Remember following the cat here?  

INTERVIEWER 

You alright Sheba? 

 

(SHEBA MEOWS AGAIN) 

 

ALVINA 

Walking down Rue Lepic?  

INTERVIEWER 

Ah, yes.(SINGS) "Vers Montmartre, là-haut, vers ses moulins si beaux, ses moulins tout là-haut, Rue Lepic!" 

ALVINA 

Seems more than ten hours ago, doesn't it? 

INTERVIEWER 

I'm sorry. I did go on a bit.  

ALVINA 

Oh no. I could sit here for another ten hours. More.  

INTERVIEWER 

Really? You must be getting very hungry. We finished the scones ages ago... 

ALVINA 

I had the last one when you were telling the punk story.  

INTERVIEWER 

So you haven't eaten since 1979!  

 

(THEY BOTH CHUCKLE) 

 

ALVINA 

What's it like?  

INTERVIEWER 

What?  

ALVINA 

To live so long?  

INTERVIEWER 

A constant string of goodbyes.  

ALVINA 

You mean...? 

INTERVIEWER 

Dubhtach, Iovianus and Silvanus, Julius and Salvidius, Solomon, Guido and Santino, Barker, Giohanni and Seraphino, Poquelin, Johannes and Salvacione, Jack Boyd, Luigi, Buttercup, Carl Granton, Joe and Salinger, Jan, Olaf. Martha.  

ALVINA 

Oh. Somehow I thought - I don't know, it's just, your accomplices were never really a big part of your stories. 

INTERVIEWER 

I've had so many teams over the years...  

ALVINA 

The focus always seemed to be on you and Kozlowski.  

INTERVIEWER 

Well, Kozlowski is the only constant. The others come and go. It's hard to keep track sometimes. But I miss them. They were an important part of the Brotherhood. We couldn't do it on our own. You know that better than anyone Alvina. 

ALVINA 

I... Wait...  

INTERVIEWER 

What? 

ALVINA 

Is this... a thank you for the case files?    

INTERVIEWER 

Well case files is taking things a bit far, we never did case files before, but -  

ALVINA 

But just imagine all your stories neatly indexed and colour coded with sticky tabs, and -  

INTERVIEWER 

There were no sticky tabs in 700 BC.   

ALVINA 

Oh yeah. (QUOTING) "Druids never keep records!"  

INTERVIEWER 

That's right. 

ALVINA 

Druid! Clumsy, chaotic druid!   

INTERVIEWER 

I thrive on a certain degree of chaos. As does Itthobal. But I do appreciate that we rely on people with... a different approach... Martha taught us that.  

 

BEAT. 

 

You would make a good Martha one day.  

ALVINA 

What?  

INTERVIEWER 

You remind me of her. Strong. Stubborn. Scary.  

ALVINA 

Scary?  

INTERVIEWER 

A bit.  

ALVINA 

I'm anything but! I'm one sixty three!  

INTERVIEWER 

Remember back in London when I was being threatened by a mafia boss?  

ALVINA 

Tony Di Pasqua, of course!  

INTERVIEWER 

And you came into my office and shot him stone dead?  

ALVINA 

How could I forget? I saved your life!  

INTERVIEWER 

(CHUCKLES)  

ALVINA 

Or...  

INTERVIEWER 

Yes?  

ALVINA 

I always thought I saved your life... But actually I didn't, did I?  

INTERVIEWER 

What do you mean?  

ALVINA 

Kozlowski was right there in the basement. He would have come in and revived you! Wouldn't he?  

INTERVIEWER 

It depends.  

ALVINA 

On what?  

INTERVIEWER 

Di Pasqua's shot. A shot to the heart or brain and there's nothing even Kozlowski or Patience could have done.  

ALVINA 

I'll cling to my victory then! It's one of my two proudest moments.   

INTERVIEWER 

What's the other?  

ALVINA 

When I got Amelia and myself out of those smart coffins! (SHE LAUGHS) 

 

(PAUSE. IN THE DISTANCE WE HEAR GRAVEDIGGERS AT WORK) 

 

Hear that? 

INTERVIEWER 

Ah.   

Singing quietly 

"A pickaxe and a spade, a spade, For and a shrouding sheet: O, a pit of clay for to be made For such a guest is meet."  

ALVINA 

Bit early for gravediggers isn't it? 

INTERVIEWER 

The early shift is for anonymous burials, or burials without a ceremony or mourners.  

ALVINA 

That's sad.  

 

(PAUSE) 

 

Look. 

INTERVIEWER 

What?  

ALVINA 

The gravestone. It's so full of names now. And dates. 

INTERVIEWER 

My many deaths.  

ALVINA 

Lord Darrell Arthur Duppa, that's the time you were shot by arrows in 1871... Then up there that's... well I can't read the name...  

INTERVIEWER 

It's Insular script. Or Merovingian? I can't remember.  

ALVINA 

Must be 537, the time Kozlowski stabbed you in that tavern...  

INTERVIEWER 

A perfect illustration of what happens when we are left to our own devices. 

ALVINA 

And 700 BC... That must be from your nomad period in the desert...  

INTERVIEWER 

Yes. Death by collapsing temple. Landed right on my temples. 

ALVINA 

Ah yes, you mentioned that. But what about this? 834?  

INTERVIEWER 

That would be my brush with the bubonic plague.  

ALVINA 

You died of the bubonic plague?  

INTERVIEWER 

Briefly.  

ALVINA 

Wait, 834? This must have happened during the Queen Basilia story.  

INTERVIEWER 

Correct.  

ALVINA 

Why didn't you tell me about that?  

INTERVIEWER 

Well Basilia spanned four decades, so I had to focus on the important bits.  

ALVINA 

And you dying wasn't an important bit?  

INTERVIEWER 

I was only out for a few minutes.  

ALVINA 

Hang on... there's another death... 835.  

INTERVIEWER 

Ah. The bubonic plague.  

ALVINA 

I thought that was 834?  

INTERVIEWER 

And 835.  

ALVINA 

You died of the bubonic plague twice?  

INTERVIEWER 

Yes.  

ALVINA 

Within two years?  

INTERVIEWER 

It was very contagious!  

ALVINA 

Wasn't the whole point in the Basilia story that Kozlowski simulated the plague?  

INTERVIEWER 

You know he's a perfectionist, Alvina.  

ALVINA 

Meaning?  

INTERVIEWER 

He sent me to Sienna so I could study its symptoms.  

ALVINA 

That's reckless!  

INTERVIEWER 

I came back to report on what I'd seen, but in the end my report wasn't necessary. He could study my oozing blisters, festering boils and blackening skin firsthand!  

ALVINA 

Unbelievable!  

INTERVIEWER 

Oh.  

ALVINA 

What?  

INTERVIEWER 

Something has just struck me... 

ALVINA 

What?  

INTERVIEWER 

Do you think that's the real reason he sent me to Sienna? To catch the plague and become a case study? 

ALVINA 

Tch! You think?  

INTERVIEWER 

I do! Oh! Oh oh oh! When I see you again I have a bone to pick with you Mr Kozlowski! We need to talk about the year 834!  

ALVINA 

And 835.  

INTERVIEWER 

835 was my own fault. Ill advised trip to Avignon to partake in the Feast of Fools. But Sienna... When I see you Kozlowski I'm going to... I'm going to... I'm going to...  

ALVINA 

Yes? 

INTERVIEWER 

Hug you.  

ALVINA 

You must miss him so much. 

INTERVIEWER 

I do.  

ALVINA 

Wherever he is, I'm sure he's thinking of you.  

INTERVIEWER 

There's someone else too.  

ALVINA 

Hm?  

INTERVIEWER 

Lorraine.  

ALVINA 

Yes. Maybe we should call her, no?  

INTERVIEWER 

I already have. Several times.  

ALVINA 

Really? When? Oh wait, is that why you took your phone? I was so surprised. You never take your phone!  

INTERVIEWER 

I hoped she'd call me back.  

ALVINA 

Maybe she will.  

INTERVIEWER 

It's been ten hours.  

ALVINA 

It's the middle of the night.  

INTERVIEWER 

We always talk in the middle of the night. Well, we used to. 

 

BEAT. 

 

She's angry.  

ALVINA 

Angry?  

INTERVIEWER 

Yes. With me.  

ALVINA 

What? Why?  

INTERVIEWER 

(SIGHS) 

ALVINA 

Why haven't you told me the story of Lorraine? That seems like a story worth telling! Why did you miss that one out? Who is she?  

INTERVIEWER 

You know Lorraine Alvina! She's my -  

ALVINA 

I know I know, she's your niece, but who is she really? And why is she angry with you?  

INTERVIEWER 

Some stories are too painful to tell.  

ALVINA 

You've told me sad stories. You told me about Joan and Basilia... and Martha! 

INTERVIEWER 

This wound is still fresh.  

ALVINA 

It's a recent story. I get it. But without it I don't think this night is complete.  

INTERVIEWER 

This night is over.  

ALVINA 

No! 

INTERVIEWER 

It's the morning. The birds are out. The gravediggers have started work.  

ALVINA 

A new day, a new story!  

INTERVIEWER 

No.  

ALVINA 

Why not?  

INTERVIEWER 

I can't tell this story because it isn't finished. I refuse for it to be finished. I have to see Lorraine again and bring it to an end. A good end.  

ALVINA 

Huh. Some things never change... 

INTERVIEWER 

Hm?  

ALVINA 

After tonight I feel I know you better than ever before, yet still you're a man of mystery.  

INTERVIEWER 

You're right... 

ALVINA 

Well, I guess as a druid you're entitled to a bit of mystery!  

INTERVIEWER 

No no, I mean what you said about knowing me. Apart from Itthobal, you probably know me better than anyone else.  

ALVINA 

What? Wait, really?  

INTERVIEWER 

Yes.  

ALVINA 

What about Amelia? She didn't get the rundown?  

INTERVIEWER 

She did! But I'm not sure how much she remembers...  

ALVINA 

Why?  

INTERVIEWER 

Remember she took over on the eve of her grandmother's funeral?  

ALVINA 

Of course.  

INTERVIEWER 

Well, after Martha's wake, we gathered what booze was left, settled down in the drawing room at Plum Manor to tell her everything.  

ALVINA 

Right. 

INTERVIEWER 

But Itthobal and I kept arguing over the details: did we use piasters or ducats in Sicily, was the Small Fancy a clipper or a frigate, did we drink honey wine or mulled wine in Hamlin. Anyway, all these digressions rather distracted from the general thrust of the story...  

ALVINA 

Poor Amelia!  

INTERVIEWER 

Add to that three bottles of chardonnay from the wake, a keg of Guinness from the local pub gifted to Miss Plumb's Plumbing for fixing an overflowing urinal, and the last bottle of Martha's favourite Japanese whiskey...  

ALVINA 

I get it.  

INTERVIEWER 

But we did really bond that night!  

ALVINA 

And you didn't bring her up to speed later?  

INTERVIEWER 

Oh, a story here, a story there, but never like this. You know what office life is like. No sooner have you faked one client's death by freak hail, the next one's at the door demanding a snowstorm! There's just never any time!  

ALVINA 

Yes, I know that very well!  

It's been really nice to have this time together.  

(CATCHES HERSELF) I mean - I wish it wasn't, I don't mean - I -  

INTERVIEWER 

I know what you mean Alvina. And I've enjoyed it too.  

ALVINA 

You have?  

INTERVIEWER 

Very much.  

ALVINA 

Area 51, Miss Plum's Plumbing, Punk Britain, a secret submarine, Weimar Berlin, The Daily Phoenix, 221B Baker Street, the Wild West, Sicily, revolutionary France, the Seven Seas, a 17th century brothel, the Tower of London, Florence, Hamelin, Atlantis, a Medieval tavern, Rome, Athens, the Judean Desert, all the way to stone henge and a blazing wicker man... What a journey you've taken me on!  

 

(SHEBA MEOWS) 

 

INTERVIEWER 

Did you enjoy it too Sheba?  

He strokes the cat, talking to her. 

What was your favourite story Sheba? The rat catcher? You liked the one about the rats did you? I bet you're a better rat catcher than I ever was...  

Alvina? What is it now?  

ALVINA 

There's another one.   

INTERVIEWER 

Another what?  

ALVINA 

Date. Another date. On the gravestone.  

INTERVIEWER 

Well as I said, I didn't tell you about all my deaths. That would be impossible. I haven't told you how I accidentally got shot on the set of Goncharov in 1973 for example, or the time Sultan Mehmed had me executed in 1418 for seducing his wife. Although that would have been a good story to tell. Especially seeing as he wasn't married. But I had to make a selection. Otherwise this wouldn't take a night, but a year. And we don't have a year.  

ALVINA 

No. We don't.  

INTERVIEWER 

You're pale, Alvina.  

ALVINA 

Look at the date.  

INTERVIEWER 

I can't read it with all that moss.  

ALVINA 

28th March 2021.  

 

(PAUSE) 

 

INTERVIEWER 

Ah.  

ALVINA 

You know what day that is, right?  

INTERVIEWER 

Yes. Today.  

 

(PAUSE) 

 

ALVINA 

What does that mean?!  

INTERVIEWER 

You know what it means. 

ALVINA 

No!  

INTERVIEWER 

Paris. City of Light. So this is where the journey ends... 

ALVINA 

No! 

INTERVIEWER 

Alvina.  

ALVINA 

I won't let it happen! I won't!  

INTERVIEWER 

Alvina!  

ALVINA 

You're not ready!  

INTERVIEWER 

Nobody is ever ready. Not really.  

ALVINA 

But Lorraine! You still need to finish something, right? Right?  

INTERVIEWER 

Yes.  

ALVINA 

And Kozlowski! You need to... give him a good ticking off about using you as the butt of a very irresponsible experiment, remember?  

INTERVIEWER 

I'll have to rely on you to provide the ticking off. You're good at those. 

ALVINA 

Stop it.  

INTERVIEWER 

(AFFECTIONATELY) I mean it.  

ALVINA 

So do I.  

INTERVIEWER 

What?  

ALVINA 

I'm not going to let this happen!  

INTERVIEWER 

You can't argue with fate!  

ALVINA 

I beg to differ!  

INTERVIEWER 

What?  

ALVINA 

We know at least one person who did just that!  

INTERVIEWER 

Who are you -  

ALVINA 

Give me a few hours!  

INTERVIEWER 

What?!  

ALVINA 

Stay here! Right here! On this bench!  

INTERVIEWER 

I thought I'd take one more stroll through Paris. Jardin Luxembourg. The Pantheon. Rue Mouffetard with its pretty cafes...  

ALVINA 

Too dangerous! We mustn't tempt fate! You could get hit by a bus! Collide with a moped. Slip on some dog shit!  

INTERVIEWER 

Dog shit?  

ALVINA 

I love dogs, but why don't people in this city clean up after their -  

INTERVIEWER 

Alvina, this isn't the moment to be complaining about - 

ALVINA 

Stay put.  

INTERVIEWER 

But - 

ALVINA 

Promise me that!  

INTERVIEWER 

But -  

ALVINA 

Promise! Do you promise?  

INTERVIEWER 

I... promise.  

ALVINA 

Good. I'll be as fast as I can.  

INTERVIEWER 

What are you going to do?  

ALVINA 

I have an idea.  

She starts running. 

INTERVIEWER 

(CALLING AFTER HER) What's the idea, Alvina? What are you doing?  

ALVINA 

(CALLING BACK) Just stay put! 

INTERVIEWER 

What's she up to goddammit!?  

 

(PAUSE. HE STROKES SHEBA) 

 

(GENTLY TO THE CAT) Do you know what she's up to Sheba? No? At least you're still here to keep me company aren't you. You're not going anywhere are you. You'll keep me company won't you. Won't you...  

 

(SHEBA PURRS) 

 

Almost the end of season 5 - but not quite... 

 

PIP 

Join us again next week for Dear Dawn Many Deaths Part 2.  

 

The Amelia Project is a production of Imploding Fictions.  

 

This episode featured Julia C. Thorne as Alvina and Alan Burgon as the INTERVIEWER. It was written by Philip Thorne with story editing by Oystein Ulsberg Brager, directed by Philip Thorne and Oystein Ulsberg Brager, with sound design by Alexander Danner, music by Fredrik Baden, graphic design by Anders Pedersen and production assistance by Maty Parzival.  

 

It was recorded at RedP Studio in Vienna, with engineering by Arpad Hadnagy and Oliver Iles.  

 

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