EPISODE 11 - TARA & LILY - SEASON FINALE
PROLOGUE
PROLOGUE
(THE FAMILIAR BEEPING)
(ANSWERPHONE CLICKS ON, FAINT MUSIC IN THE BACKGROUND)
VOICE
Congratulations. You’ve reached The Amelia Project. This phone call isn’t happening. If you’re not serious about this, hang up. Now.
(PAUSE)
If you continue, there’s no way back.
(PAUSE)
Good choice. A new life awaits. You’ll hear back from us within the hour. If you don't hear back, please consider the whole thing a hoax. Leave your message after the beep.
(ANSWERPHONE-BEEP)
(FAST, TALKING OVER EACH OTHER SO THERE IS NO AIR BETWEEN THE WORDS)
LILY
Hi.
TARA
It’s Tara.
LILY
And Lily.
TARA
You’ll have seen the mugshots.
LILY
Didn’t get me from my good side…
TARA
Must do my hair in a bun for the next break in…
LILY
Yeah...
LILY
Anyway, those friggin mugshots are everywhere.
LILY
Yeah, we can’t even pop to Sainsbury’s to get tea, and we’re out of tea!
TARA
We have to disappear.
LILY
Fast.
TARA
We can’t stay hiding here forever.
LILY
Call us.
(BEEP)
(THEME TUNE STARTS)
INTRO
The Amelia Project, by Philip Thorne and Øystein Brager, with music and sound design by Fredrik Baden. Episode 11 - Season one Finale: Tara and Lily.
(THE BEEPING FADES OUT, WE’RE IN THE INTERVIEWER’S OFFICE WITH TARA AND LILY. THEY TALKS HALF OVER EACH OTHER, SO IT’S ONE ALMOST STEADY STREAM OF WORDS, DISTINGUISHABLE BY HOW LILY’S VOICE IS A LITTLE QUIETER THAN TARA’S)
THE INTERVIEW
INTERVIEWER
Your tea.
(CLANKING OF CUPS AND SAUCERS)
LILY
Ah… I was dying for a cuppa.
(TARA HUMS INTO HER CUP IN AGREEMENT)
TARA
(QUIETLY) Thanks.
INTERVIEWER
I hope you found us ok? (DISAPPROVING) My new smart phone is playing up. Did you get my text-messages?
(LILY HUMS)
TARA
“Take the 4:20am from Paddington and bring matches, a compass, carabiner hooks and Maltesers.”
LILY
I still don’t get why Maltesers…
TARA
You wanted to turn back didn’t you Lily? She thought it was a hoax.
LILY
Yeah, I mean… Trekking across Bodmin Moor was okay…
TARA
Abseiling down Cheddar Gorge…
(BOTH GROAN IN ANNOYANCE)
For me though it was rafting down St Nectan's Kieve.
LILY
We got drenched!
TARA
Hang-gliding down Beacon Hill was fun though.
(THEY BOTH CHUCKLE)
LILY
But why?
INTERVIEWER
We have to take precautions.
TARA
Precautions?
LILY
First you send us hitchhiking, cliff jumping and snorkelling around Cornwall...
TARA
...then you make us come all the way back to London
BOTH
...using nothing but local bus routes.
(THEY SIGH LOUDLY)
INTERVIEWER
This way we can be sure you weren’t followed.
TARA
(UPSET) What?! Couldn’t you just have made us drive the wrong direction down a one way street?
(LILY HUMS APPROVINGLY IN THE BACKGROUND)
INTERVIEWER
That’s a very good point. And I’ll bear that in mind for the next time.
(SHORT PAUSE)
Now… Do you have those Maltesers?
(THERE ARE PROTESTING SOUNDS FROM BOTH TARA AND LILY)
TARA
What? They’re for you?!
LILY
No way!
You mean - we risked showing our faces at a Costcutters just to get you Maltesers?
INTERVIEWER
Well, I don’t get out much and the corner shop here doesn’t stock them.
TARA
Unbelievable!
INTERVIEWER
I know, I’ve been telling them for years...
(SOUND OF MALTESERS BEING THROWN AND CAUGHT)
TARA?
You owe us two pounds fifty.
INTERVIEWER
What? Come on. I’m sure you didn’t pay for them.
LILY
Excuse me?
INTERVIEWER
Um, I mean, given your profession-
TARA
(UPSET, OFFENDED) Are you suggesting we stole them?
(OFFENDED INTAKES OF BREATH AND SOUNDS BY LILY TOO)
INTERVIEWER
Is that so ridiculous?
TARA
We would never steal Maltesers from Costcutters.
LILY
(LAUGHS HUMORLESSLY) It’s against the rules.
INTERVIEWER
Whereas breaking into Buckingham Palace-
TARA
Buckingham Palace is fair game.
INTERVIEWER
What rules are these?
LILY
The Looter’s Law.
TARA
We always obey the Looter’s Law.
LILY
(QUIETLY) Yeah...
INTERVIEWER
It says something about Maltesers?
LILY
Don’t be silly.
TARA
Maltesers are fair game.
INTERVIEWER
But you just said you would never-
TARA
-steal a pack of Maltesers from Costcutters.
LILY
Correct.
INTERVIEWER
It says something about Costcutters?
LILY
Don’t be silly.
TARA
Costcutters is fair game.
INTERVIEWER
(SIGHS) Ugh, I’m confused.
LILY
If Costcutters was protected by an alliance of the Navy Seals, the French Legion and the North Korean Army, there’d be no keeping us out.
TARA
If it was about stealing a pack of Maltesers from the Oval Office, we’d be on it like tie dye on a hippie.
LILY
But nicking Maltesers from Costcutters is just so…
TARA
Uninspiring.
LILY
Yes. It’s been done to death you know?
TARA
Where’s the challenge?
INTERVIEWER
So let me get this straight: you won’t commit a crime unless it’s insanely difficult?
TARA
First rule of the Looter’s Law.
(PAUSE)
LILY
Should I tell him, Tara?
TARA
Go on...
LILY
Did you hear about the Washington/Zürich heist?
INTERVIEWER
(IMPRESSED) No? That was you?
LILY
(HUMS) Tara broke into Bank of America’s vaults and took eighty million dollars.
TARA
Lily broke into Zürcher Kantonal Bank’s vaults and took the same amount in Swiss Francs.
INTERVIEWER
(IMPRESSED) Wow!
LILY
So far so pedestrian.
TARA
Bank robberies are a cliché.
LILY
(EXCITED) But we gave it a twist…
INTERVIEWER
Yes?
TARA
(AMUSED) I break into Zürcher Kantonal Bank and put the dollars there.
INTERVIEWER
Yes?
LILY
I break into Bank of America and put the Swiss Francs there.
(THE INTERVIEWER LAUGHS)
TARA
We made the...
BOTH
bounty switch places!
INTERVIEWER
Wait. You had 160 million and you didn’t keep a single penny?
TARA
Second rule of the Looter’s Law: We Must Make No Financial Gain.
LILY (REPEATING, ALTHOUGH QUIETER)
...No Financial Gain
INTERVIEWER
The Looter’s Law… You came up with this?
LILY
Yeah.
TARA
It’s all about reclaiming the act of burglary and subverting criminal clichés.
LILY
The bank heist was our masterpiece.
TARA
It doesn’t get any more difficult than that.
LILY
Breaking into two high security vaults.
TARA
Crossing borders with eighty million stashed in our pockets.
LILY
Breaking back into the vaults two days later, at a moment the banks were doubling up on security.
TARA
We pulled it off, and all entirely untainted by financial gain.
LILY
It was the culmination of all our thinking.
TARA
Bank heists are the pinnacle of a burglar’s career.
LILY
A burglar’s Hamlet.
(PAUSE)
INTERVIEWER
You know, we really have a lot in common…
LILY
You’ve robbed a bank?
INTERVIEWER
No.
TARA
You’ve played Hamlet?
INTERVIEWER
I’ve played the Gravedigger.
TARA
I’m sure you stole the show...
INTERVIEWER (STARTS SINGING, GETTING DEEPER)
“A pickax and a spade, a spade,
For and a shrouding sheet,
Oh, a pit of clay for to be made
For such a guest is meet.”
LILY
Yeah… What do we have in common?
INTERVIEWER
We’re motivated by the same thing.
LILY
Maltesers?
INTERVIEWER
Challenges. Do you really want to know why we sent you to Land’s End and back?
LILY
(QUIETLY) Yeah…
INTERVIEWER
To test your commitment. It’s how we separate the wheat from the chaff. We only take on clients that fulfil our strict criteria of eccentricity and determination. We only take on clients with an interesting story to tell. If a case doesn’t inspire us, we don’t accept it. We collect stories. We collect challenges. That’s what Amelia is about.
(SUDDENLY A STOP SWITCH IS BEING PRESSED, WE HEAR THE REWINDING OF TAPE, THEN ANOTHER CLICK: PLAY.)
INTERVIEWER
If a case doesn’t inspire us, we don’t accept it. We collect stories. We collect challenges. That’s what Amelia is about.
(THE STOP-BUTTON IS PRESSED AGAIN. WE’RE NOT IN THE OFFICE ANYMORE. THE AGENTS TALK SOMEWHAT HUSHED)
AGENT COLE
Bullshit.
AGENT HAINES
You think?
COLE
They’re in this for more than just kicks.
HAINES
(THOUGHTFUL) I don’t know. He’s an odd fellow…
(PAUSE)
COLE
Their list of clients…
HAINES
Yes?
COLE
Stage, TV and film stars, bankers, millionaires.
HAINES
(HUMS IN AGREEMENT) What- What are you saying?
COLE
They can pay. So they’re in it for the money.
HAINES
Or influence. They have stories on people everywhere…
COLE
(SARCASTIC) Stories…
(PAUSE)
What do you suppose they do with these stories?
HAINES
I don’t know… - yet… But information is power.
COLE
(THOUGHTFUL) They have information on a lot of people.
HAINES
They’ve even had a client from our own ranks…
COLE
Nathaniel-Bloody-McBride. (SHARP INTAKE OF BREATH) You think this disappearing thing might be just a facade?
HAINES
I think Amelia has a lot of secrets. We need to dig deeper. Find out as much as we can.
(PAUSE)
COLE
Hm. So. On with the tape?
HAINES
Play.
(CLICK OF THE PLAY-BUTTON AGAIN, AS THE TAPE CONTINUES AND WE’RE BACK IN THE OFFICE)
INTERVIEWER
In order to inspire us it has to be something special. We don’t do boring. Like you don’t do petty crime.
TARA
Oh, we don’t want to seem like we’re dissing petty crime!
LILY
No way. We R-E-S-P-E-C-T our roots.
TARA
You have to master the basics before you can subvert them.
LILY
We’ve done our fair share of shoplifting…
TARA
carjackings and...
LILY
...back alley muggings.
TARA
It’s just that we’ve moved beyond that now. We’re trying something new.
INTERVIEWER
I must say I’m relieved.
LILY
Oh?
INTERVIEWER
I was a little scared of inviting the world’s most brilliant burglars into my office.
LILY
(DISAPPOINTED) You’re not scared of us?
TARA
(EQUALLY DISAPPOINTED) We must be doing something wrong Lily…
LILY
(SUDDEN) What’s in that safe?
INTERVIEWER
I’m not telling you…
TARA
Cracking it would be a piece of piss.
INTERVIEWER
(SURE OF HIMSELF) I’m sure it would, but it would also be against the Looter’s Law. Much too simple.
TARA
You’re right.
LILY
What if we managed to do it under your nose?
TARA
Daylight burglaries. It’s one of our specialities.
LILY
(HUMS IN AGREEMENT) We emptied the Tesco Superstore in Folkestone during opening hours, while it was busy with shoppers.
TARA
We drove down Fitzjohn’s Avenue with a removal lorry, clearing out all the villas.
LILY
We burgled most of Kensington at midday shouting through megaphones and wearing fluorescent vests.
TARA
We stole an Elephant from London Zoo, right under the noses of a hundred school children.
INTERVIEWER
What about Buckingham Palace? Tell me about that…
TARA
It really wasn’t meant to be a big deal.
LILY
Just something to clear the mind.
TARA
Just a bit of fun… Look. After the bank heist we needed to blow off some steam. So we decided to break into Buckingham Palace and nick the Queen’s toothbrush.
(LILY HUMS IN AGREEMENT)
INTERVIEWER
And that’s when these pictures were taken…
TARA
Ugh! My bum looks big in those jeans.
INTERVIEWER
How did it happen?
LILY
We climbed over the wall...
TARA
...put on our red tunics and bearskin hats...
LILY
...joined the changing of the guards, snuck off into a side entrance,
TARA
...dumped the uniforms in a vase,
LILY
...deactivated the alarm, fed the guard dogs tranquillisers and located the Queen’s bathroom.
TARA
She has a pastel green toothbrush with medium strength bristles.
LILY
...Then we slid down a drainpipe,
TARA
...legged it through the gardens,
LILY
...crawled through barbed wire fencing,
TARA
...clambered the wall
LILY
and jumped straight into a Japanese tourist’s photo.
TARA
Next thing I know my fat bum’s all over Facebook and Twitter.
LILY
And this morning we’re all over the newspapers.
INTERVIEWER
Yes, you’ve become quite the stars.
TARA
Everyone’s so surprised!
LILY
They always think of burglars as being men!
(BOTH OF THEM LAUGH)
TARA
You know Ridley Scott is trying to reach us?
LILY
Ah, yes, he wants to use our story…
INTERVIEWER
Well, it would make a great movie. Tara and Lily.
(PAUSE)
Uh, like Thelma and Louise.
TARA
We can’t go to prison!
LILY
(PROTESTING) I mean. Our careers can’t end in cliché like that.
TARA
It goes against everything we’ve been trying to achieve.
INTERVIEWER
How do you see your futures?
TARA
(DREAMILY)Retiring to a rambling mansion on the coast of Argentina.
LILY
(ALSO DREAMILY) Cocktails and croissants for breakfast.
TARA
Lobster for lunch.
LILY
Foie Gras and truffles for dinner.
INTERVIEWER
Your new life will be expensive…
LILY
Yeah, I also want a swimming pool, a tennis court, a gym and a jacuzzi.
INTERVIEWER
You’re going to need a steady stream of income…
TARA
And we don’t want to work.
INTERVIEWER
Well, I can’t let you continue a criminal career. Too risky. You’re going to have to lie low for a while.
LILY
If that means staying in our mansion all day I also want a home cinema.
INTERVIEWER
Here’s how you can afford it.
They’ll make that movie and it’ll be a huge hit. You can live off the royalties.
LILY
But what if it’s not a hit?
INTERVIEWER
Our challenge is to make sure that it is! Your story’s got all the right ingredients. Suspense, comedy, camaraderie. It’s a great star vehicle. There’s one thing missing.
TARA
What’s that?
INTERVIEWER
A good ending.
LILY
Yeah. Being caught in a Japanese tourist’s selfie clutching a toothbrush is not very glamorous, is it?
INTERVIEWER
So we need to give you a really dramatic finale…
LILY
Something spectacular!
TARA
Something iconic!
INTERVIEWER
How about the end of Thelma and Louise?
TARA AND LILY SIMULTANEOUSLY
(GIGGLING IN EXCITEMENT) Cool!
INTERVIEWER
Here’s how this will work.
(HE GETS UP, WE HEAR HIS STEPS ON THE WOODEN FLOOR AS HE WALKS UP AND DOWN THE ROOM)
You’re going to call Ridley. Ask him to meet you at Little Bo’s Cafe at Sennen Cove. You sell him your story. Our lawyer will handle your rights. He can drive a hard bargain and he’ll continue to represent you even after you’re presumed dead. While you’re in the meeting we’ll tip off the police as to your whereabouts. As soon as they show up, you get into your car. We’ll get you a really nice powder blue Ferrari.
(EXCITED HAPPY-SOUNDS FROM TARA AND LILY IN THE BACKGROUND)
You speed recklessly down twisty coastal lanes, with the police in hot pursuit. When the cliffs at Land’s End come into view you just keep going. The Ferrari hitting the sea will look magnificent!
LILY
We won’t get hurt?
INTERVIEWER
Don’t worry. Extracting clients from speeding vehicles is one of our specialities!
TARA
Our death is going to be so cool!
LILY (REPEATS)
...so cool!
INTERVIEWER
So cool. It will have echoes of both Thelma and Louise and Rebel without a Cause. It’s going to be very cinematic!
LILY
Hell yeah!
(LAUGHING)
INTERVIEWER
What about payment…
TARA
(MATTER-OF-FCT) You keep a share of the royalties of course.
INTERVIEWER
No.
TARA
No?
INTERVIEWER
No.
(PAUSE)
I had something else in mind.
TARA
Oh?
INTERVIEWER
(VERY SERIOUS) One final break-in. One final challenge.
TARA
We can’t!
LILY
Everybody’s looking for us, I mean...
INTERVIEWER (CREAK OF CHAIR AS HE LEANS FORWARD)
(PUTTING EMPHASIS ON HIS WORDS) That’s why it’s a challenge.
TARA
What do you want?
INTERVIEWER
Can you get into Westminster?
TARA
I don’t see why not…
INTERVIEWER
We want to get our number into the hands of the right people. We’ve got more celebrities than we can handle. We’ve got scientists covered. We’ve got an interesting sideline in religious leaders. But we haven’t had an interesting political case since Harold Holt.
TARA
So what can we get for you?
INTERVIEWER
Files, contact lists, minutes of meetings. Anything that gives us an insight.
TARA
What do you think Lily?
LILY
Sounds fair.
TARA
We could even throw in a pack of Maltesers.
INTERVIEWER
(QUICKLY) Deal! Oh, this calls for Champagne.
LILY
Ooh Champagne!
INTERVIEWER
Hold your ears…
(A LOUD BANG, THEN THREE GLASSES ARE FILLED, ALL THREE OF THEM LAUGH LIKE PARTNERS IN CRIME)
TARA (DRINKS)
(JOYFUL) Delicious…
(THE INTERVIEWER HUMS IN AGREEMENT)
LILY
I want a water cooler of this stuff in our mansion
(THEY LAUGH)
INTERVIEWER
Ladies… A toast ... to your retirement.
TARA & LILY SIMULTANEOUSLY
Cheers!
INTERVIEWER
Cheers!
(CLICK. THEN SILENCE)
EPILOGUE
(SOUND OF A HEAVY BOX BEING PUSHED SCRATCHILY ACROSS THE FLOOR)
TARA
There.
LILY
We’ve got what you asked for.
TARA
That info should keep you going for a bit.
LILY
The whole box is full.
TARA
Time for you to keep your part of the bargain…
(STEPS ON THE FLOOR, COMING CLOSER)
HAINES
What’s inside?
(OPENS BOX)
Tapes?
TARA
The safe was full of them.
(CLICK OF THE CASE OF A TAPE BEING OPENED, THEN INSERTED TO A PLAYER, CLICK OF PLAY, THE FOLLOWING IS PLAYED FROM THE TAPES)
ELIZABETH
Do you mind if I smoke? (CLICK OF A LIGHTER AND A CIGARETTE BEING LIGHTED)
INTERVIEWER
Go for it. Do you mind if I blow bubbles?
(CLICK OF THE TAPE RECORDER, FAST FORWARD, PLAYED OVER THE SOUND OF STEPS)
ZALE
How quickly can this be done? I don’t have much time. I leave planet earth tonight. I’m being launched to Antithon in… ten hours-
(CLICK. TAPE GETS FAST FORWARDED AGAIN. CLICK)
INTERVIEWER
We’ll get Kozłowski to replace your liver, your kidneys, your heart, your lungs, your intestines, your pancreas, your blood, your facial tissue, your ligaments, replace everything with synthetic parts!
ALICIA
He… He can do that?
(SWITCHED STOP. OFF TAPE AGAIN)
HAINES
You’ve done well.
TARA
So… Now we get to walk free?
HAINES
Yes. You’re free.
(TARA AND LILY GET UP, WE HEAR THEIR STEPS ON THE STONE FLOOR)
Wait! What else can you tell me?
LILY
You can just listen to the tape. It’s all there.
TARA
Yeah.
HAINES
(DISBELIEVING) You got the tape of your own interview too?
LILY
We nicked the dictaphone yes.
(CLICK OF THE TAPE BEING INSERTED)
TARA
What’s in that safe?
INTERVIEWER
I’m not telling you.
LILY
Cracking it open would be a piece of piss…
INTERVIEWER
I’m sure it would - but it would also be against the Looter’s law. Much too simple.
(TARA AND LILY SIGH)
TARA
You’re right...
LILY
But if we managed to do it… under your nose?
TARA
Daylight burglaries. It’s one of our specialities.
(CLICK OF PRESSING STOP, OVER THE COURSE OF THE FOLLOWING; THE BEEPING AND THEME TUNE SLOWLY AND FAINTLY STARTS UP, PLAYING IN THE BACKGROUND)
HAINES
You’re good… It’s a shame to let you go really. You’ve been very useful. The official line will be that you’re serving a sentence at Askham Grange.
TARA
Of course.
HAINES
Oh and I should warn you… Any funny business and it’s prison for real. We’ll be keeping an eye on you.
TARA
Right.
HAINES
I guess it goes without saying but… Not a word about Amelia. To anyone.
TARA
Our lips are sealed.
LILY
Come on Tara. Let’s get out of here.
(THEY LEAVE, ANOTHER TAPE IS BEING INSERTED)
STEVE
You won’t tell anyone about this, right? This is confidential?
INTERVIEWER
Strictly between you, me, and the Cocoa.
(CLICK AND FAST FORWARD, THEN CLICK AGAIN)
ELIZABETH
Are you making notes? I don’t want you to forget anything!
INTERVIEWER
This session is being recorded.
ELIZABETH
Why?
INTERVIEWER
We keep an Archive of all our clients
ELIZABETH
As long as it’s under wraps…
INTERVIEWER
Of course!
(CLICK, FAST FORWARD)
ZALE
I mean, this isn’t being recorded or anything, is it?
(PAUSE)
INTERVIEWER
No.
(CLICK, FAST FORWARD)
INTERVIEWER
So MI5 doesn’t know you’re here?
NATHANIEL
And mustn’t find out.
(SURPRISED INTAKE OF BREATH BY THE INTERVIEWER, INTERRUPTED BY THE STOP AGAIN, TAPE WHIRRING WHEN FAST FORWARDED )
INTERVIEWER
But you just said…
LUKE
Hell! You know the theme park!
INTERVIEWER
Sorry, I don’t have kids.
LUKE
You’re joking?
INTERVIEWER
It’s not that unusual…
(TAPE IS CHANGED, CLICK)
INTERVIEWER (LAUGHING, ABSOLUTELY IN STITCHES)
(THROUGH TEARS OF LAUGHTER) I’m Bob (LAUGHS) Well, take a seat Bob, how do you do?
BOB
Well… I’m fine, thanks
(THE INTERVIEWER EXPLODES WITH LAUGHTER AGAIN)
(CLICK, WHIRR, CLICK)
INTERVIEWER
Wow! You are super intelligent?
SIIIRI
Yes.
(EXCITED INTAKE OF BREATH BY THE INTERVIEWER)
I am now a Spicy Meatball. But my maker does not like Spicy Meatballs. If you catch my drift.
INTERVIEWER
Ehm… I think so?
(OFF TAPE AGAIN)
HAINES
Cole, it’s Haines. Once you get this message you should come to my office right away. I’ve got something you need to listen to. This is big. Call me.
BOB
(PLEADING) For the love of God… call me!
ALICIA
Call me.
NESSIE
Call me!
NATHANIEL
(SNEEZES)
MELISSA
Please please please call me back.
ELIZABETH
Call me.
ZALE
Get back to me. Please. Quick. Help!
TARA
We can’t stay hiding here forever! Call us!
(THEME TUNE SETS IN PROPERLY, AS VARIATIONS ARE PLAYED, FROM NORMAL TO PIPE ORGAN TO ROCK MUSIC. IT FADES INTO THE FAMILIAR BEEPING, THEN PIANO)
OUTRO
The Amelia Project is produced by Imploding Fictions, in association with OpenHouseTheater Vienna. This episode featured Alan Burgon as the Interviewer, Fiona Thraille as Tara, Sarah Golding as Lily, Benjamin Noble as Agent Haines, Torgny G. Aanderaa as Agent Cole, and Julia Morizawa on the Answerphone. It was written and edited by Philip Thorne and directed by Philip Thorne and Øystein Brager. Music and Sound Design by Fredrik Baden, Graphic Design by Anders Pedersen, production coordination by Julia C. Thorne. Thank you so much for listening to Season One of The Amelia Project. Thank you to those of you who recommended the show to others, left a review on ITunes, got in touch via Twitter and Facebook, and shared your FanArt with us. Your enthusiasm is what keeps us going. A massive Thank You to our wonderful wonderful patrons. We’ll be posting some updates for you in between seasons, so do keep checking the Patreon-Feed. Your support makes all this possible. Thank you! Merci! Tusen takk! Dankeschön! And we hope to see you back as soon as possible for Season 2!
(PIANO FADES OUT)
END OF EPISODE