EPISODE 3: SALVATORE'S ULTRA FANCY SUPER SECRET NON-PATENTED CORPSE DROP CONTRAPMENT 

 

 

PIP 

This new episode of Amelia’s Appraisals is dedicated to Macayla Henry, HR Manager at HR Agent, who died under circumstances involving a hammer, three paper clips, and a homemade tornado. She has since re-emerged as a stand-up comedian in Plockton, Scotland, where audiences have swelled to thirteen on multiple occasions, a statistic she mentions whenever possible. 

 

Summer is here, and we’re getting ready to take over Theatreship in London for the first week of August. We’ll be performing The Amelia Project live, screening Delivery After Dark, our very first film, and doing an onstage talk with an audio drama academic from Romania, yes you heard that right. You can find the full programme and tickets at ameliapodcast.com under live events, and livestream tickets are now available too. We hope to see you this summer, but for now, on with the show!  

 

 

The WORKSHOP - HR PERSON, JOEY and SALVATORE 

 

THE DOOR TO THE WORKSHOP CREAKS OPEN. SALVATORE IS WELDING SOMETHING. JOEY SNORES IN A CORNER. 

 

HR PERSON 

Hello...? Hello? Hello!  

 

(SALVATORE STOPS WELDING AND OPENS HIS VISOR) 

 

SALVATORE 

Buongiorno! It's the other way.  

HR PERSON 

Sorry? 

SALVATORE 

His office is the other end of the hall.  

HR PERSON 

Who's office? 

SALVATORE 

I don't know his name. 

HR PERSON 

You don't know your co-worker's name? 

SALVATORE 

Nah. 

HR PERSON 

So you're pretty new here then? 

SALVATORE 

Nah, it's normal. I had an uncle we only ever called "Il Dito" - means "the finger". To this day, I don't know Il Dito's real name. Or if he was actually my uncle. Or if he even had fingers. He always wore mittens. Huge leather mittens, one size too big. He was a very scary man.  

HR PERSON 

Right. 

SALVATORE 

It's just the completely different end of the hall. The door right at the end, can't miss it. Sign that says: "Stay out! Unless you bring Maltesers." 

HR PERSON 

I'm actually here to see you. 

SALVATORE 

Me? 

HR PERSON 

Yes -  

SALVATORE 

He sent you? 

HR PERSON 

No, Amelia - 

SALVATORE 

Amelia sent you? Why? Is that true? Are you lying to me? 

HR PERSON 

I'm not -  

SALVATORE 

Nobody lies to SALVATORE, I tell you! If I find out you're pullin' a funny one, I'm gonna make sure you too need to wear mittens for the rest of your life! Capiche? 

HR PERSON 

I get the drift... 

SALVATORE 

Good. Now why are you here? 

HR PERSON 

I come from HR Agent. We're an external HR company. I'm here to do an appraisal.  

SALVATORE 

Extermination? There's no rats, we take care of that ourselves. JOEY and I don't like rats. 

HR PERSON 

No, no, I'm not an exterminator. 

SALVATORE 

But you said...  

HR PERSON 

I said external.  

SALVATORE 

Oh - but it's daytime? 

HR PERSON 

Sorry? 

 

Beat. 

 

I'm here to conduct an appraisal. With you and... JOEY.  

SALVATORE 

JOEY! JOEY, wake up!  

 

JOEY wakes up and scrambles to his feet.  

 

JOEY 

Huh?  

SALVATORE 

This person's here on some funny business. Amelia sent them. 

JOEY 

Oh. Buona noches.  

SALVATORE 

It's morning.  

JOEY 

Is it? 

HR PERSON 

I come from a company called HR Agent -  

JOEY 

You're a secret agent?! That's so dope!  

HR PERSON 

No, I... I'm sorry, I'm afraid I'm not a secret agent. 

JOEY 

Oh.  

SALVATORE 

That's a bit of a misleading name then. Are you a real estate agent? 

HR PERSON 

No. I hoped Amelia would have informed you that I'm coming. But she didn't. Now, I'm here to do an appr -  

(THINKS THE BETTER OF USING SUCH A DIFFICULT WORD) 

- I'm here to talk to you about your work situation. 

JOEY 

Oh. 

SALVATORE 

Right. Like what? 

HR PERSON 

We could start with what it is that you do. What's this for example? 

SALVATORE 

Oh, I'm welding a hearse.   

HR PERSON 

You're fixing a car! 

SALVATORE 

Pretty much making one from scratch. 

HR PERSON 

That's very nifty. 

SALVATORE 

Yeah, it has a secret compartment here - you see? 

HR PERSON 

Yes? 

SALVATORE 

So, when the coffin goes on top there, you can slip out the bottom and into the hull! 

JOEY 

I call it SALVATORE's Ultra Fancy Super Secret Non-Patented Corpse Drop Contraption! 

SALVATORE 

No crawling, no fiddling with doors or levers. The driver pushes the button and - plop!  

HR PERSON 

(CONFUSED) Wow...? But why do you need the - ? 

SALVATORE 

And you don't have to worry. I'm putting in plenty of cushions. It's as soft as if you're landing on ducklings.  

JOEY 

Without beaks! I've landed on ducklings once, those small bastards bite hard!  

HR PERSON 

What do you mean I don't have to worry? You're not planning to test this on me, are you? 

SALVATORE 

You're not Biniyam Burrows? 

HR PERSON 

I'm clearly not.  

SALVATORE 

Oh. Then why are you here to look at the corpse drop? It's for Biniyam's case.  

HR PERSON 

I'm not here for the hearse specifically, I'm here to find out how the two of you are getting on here at The Amelia Project. 

SALVATORE 

Ah, pretty good. No one tries to kill us.  

HR PERSON 

Eh... What about the office brawls? 

 

SALVATORE and JOEY laugh. 

 

SALVATORE 

You heard about the office brawls? 

JOEY 

Ah, they're fun!  

SALVATORE 

No, we don't feel very threatened. We're stronger than the others. 

JOEY 

Apart from Kozlowski. When he gets angry... 

SALVATORE 

Or he gets out that injector gun! 

JOEY 

I hate the injector gun!  

SALVATORE 

But apart from that.  

JOEY 

We're the strong men, right? 

HR PERSON 

Strong men who... put guns in everything? According to Amelia. She said you have a penchant for adding firearms to things you build.  

JOEY 

That's all Salvatore. I take no credit. I'm better at firing them. 

SALVATORE 

Not so good at hittin' things. 

JOEY 

No. 

SALVATORE 

But very good at firing.  

JOEY 

Definitely.  

HR PERSON 

So are there firearms concealed in this hearse then? I'm just trying to get a sense of whether Amelia's description was an exaggeration or not.  

SALVATORE 

Listen. Biniyam. 

HR PERSON 

I'm not Biniyam. 

SALVATORE 

Until I know your real name you're Biniyam to me. 

HR PERSON 

Biniyam's a man's name. 

SALVATORE 

Listen, lady Biniyam. I've added a Super-Thrust Turbo Engine for Immediate Getaway Scenarios. I've added GPS, heat vision, radar and sonar for steering. I've added spring ejectors to every seat, hydraulic coffin expulsion, a cowcatcher and a solar powered bird bath on the roof. This car don't need any more gadgets. Alright? 

HR PERSON 

Alright. 

SALVATORE 

So there's only one tommy gun hidden in the exhaust pipe and that's it.  

Beat.  

JOEY 

The engine sputters every time you shoot. You can't hear the gun! It's so clever. I call it the -  

HR PERSON 

OK, fine, let's not talk about the hearse anymore. Let's talk about your work situation. Do you have any complaints / or is everything OK - ?  

 

(JOEY AND SALVATORE BOTH JUMP IN WITH THE SPEED OF A TRAIN AT THE WORD "COMPLAINT"!) 

 

SALVATORE 

Complaints? We're allowed to complain? Well alright, I'll tell you my complaints! Gee! Every day, all day long we're hauling corpses, big corpses, small corpses, blue corpses, green corpses, complete corpses, partial corpses. If there's a type of corpse, you can bet I've lugged it up some stairs and down some stairs and into buildings and out of buildings and into bloody fields and forests and up fricking mountainsides! And it's not that they're too heavy, I could spend all day in the gym! It's that they're so bloody unwieldy! I've asked Kozlowski to stiffen them up or give them handles or wheels or somethin', but noooo, they've got to look realistic, yada yada yada! And then there's the stench! It's worse than Joey fartin'! And sometimes the head comes off - I mean off the corpse, not off Joey- and when it does it's suddenly 'aww that's your fault', when it's clearly just shoddy stitchin'! Kozlowski shouldn't get the cocoa man to stitch, because he's much too dainty! It's not bloody lace it's dead skin! And ya know, I'm gettin' older, it's no secret, I'm goin' grey on my tummy hairs and Joey has a bald spot - though he doesn't know - and we're gettin' back pain from all this work! And it's every which hour of the day! And then there's contamination! I'm not stupid, I know corpses can have the flu! And I don't wanna get it!  

JOEY 

(COMPLETELY OVERLAPPING WITH SALVATORE) 

Did you say "complain"? Because that's new. Amelia always says if I have a complaint, I should go into the downstairs lavatory and shout into the bowl. Which I've tried, but it didn't work, nothin' happened. So if you wanna know, well... Thing is, the one thing I don't like about working here is how Kozlowski's always wanting to experiment on me. It's sometimes very degrading, you know. Like that time he gave me a whale penis, cause at first I thought it'd impress the ladies! But then I was luggin' around this huge thing sticking out of my trouser legs and I felt like a proper idiota. Looked like someone gave me a prosthetic leg only they forgot to amputate the old one. So I'm really glad I got my old little penis back because actually it does the job and it's kind'a pretty, even if it ain't that huge. And then there's all the diseases I've had to try like the Meningococcal Mumps and the Ence-phali-tistical Ebola and the Poli-olo-scoliosis and the Slightly Differing Diphtheria and the Dengue Merengue Fever and the Hip-hop-a-titis and the Chicken and Fox-pox and the Henpox and the Cockerel Pox and the Cocque-a-vin-pox. It's gettin' kinda tirin'! 

 

BEAT. 

 

SALVATORE 

Did I mention the long workin' hours? When's a handsome fella supposed to get his beauty sleep? 

JOEY 

That one's not a concern for me. I feel like I get enough sleep.  

HR PERSON 

Wow. That's... a lot.  

SALVATORE 

Did you take notes? 

HR PERSON 

You talked a lot about the transportation of... 

SALVATORE 

Corpses. 

JOEY 

Dead folks. 

HR PERSON 

...remains. But during the service itself, what's your job? 

SALVATORE 

Service? You mean the funeral? 

HR PERSON 

Yes. Or memorial service or whatever the clients require. 

SALVATORE 

Oh, I see. Well it differs. There was that one time, Joey had to be the pastor but he fell asleep in the middle of the sermon and fell from the pulpit.   

JOEY 

And that time Salvatore had to be up in the bell tower to drop the bell on cue! 

SALVATORE 

And that time Joey had to conduct the tubular orchestra but fell asleep and landed on the tubes and it was so noisy the client came jumpin' out the coffin! But you didn't wake up, did you!  

JOEY 

(LAUGHS) I didn't! 

SALVATORE 

You didn't wake up until Kozlowski pulled that one tube out your bottom!  

JOEY 

Don't know how it got in there.  

SALVATORE 

My theory is one of those tubular playin' brats got annoyed at you landin' on their instrument and -  

JOEY 

Oh, and that was that time you had to be in the audience and go into hysterics on cue so no one would notice old miss Lemon slippin' out behind the pulpit!  

SALVATORE 

And that time me and Joey were two of Ms. Xander's pallbearers, but Joey fell asleep at the top of the hill whilst carrying and we all lost our grip when he let go and the coffin came rollin' down! Whooosh! The replacement corpse went flying and landed right on top of a wheelbarrow, which was handy, cos we could just tip it into the grave -  

HR PERSON 

Sorry - replacement... remains? 

SALVATORE 

Replacement corpse, yeah. 

HR PERSON 

Why was there a replacement... c... corpse? 

SALVATORE 

Because Mrs Xander had been blown up in a spectacular explosion!  

HR PERSON 

Right... I see... I'm learning a lot about your line of work. I'd never thought about what you do if the family has a tradition of an open casket, but the body has been... mutilated. 

SALVATORE 

Exploded. 

HR PERSON 

Yes.  

SALVATORE 

Happens all the time.  

JOEY 

Her head looked like an octopus sausage!  

HR PERSON 

Sorry? 

JOEY 

An octopus sausage! 

SALVATORE 

JOEY prefers when I cut his sausages like a star at the end before frying them so they sprawl out like they have octopus arms.  

JOEY 

I got to help Kozlowski! I used a meat cleaver!  

HR PERSON 

Making octopus sausages...? 

JOEY 

Fixing Mrs. Xander's head!  

HR PERSON 

I don't...? Never mind. Let's move on. I think I've heard enough about the... 

(FEELS A BIT SICK) 

...specifics of your workload. Let's talk about your wants and needs.  

SALVATORE 

Wants and needs? 

HR PERSON 

Yes. At work, is there anything you want, anything you need that you don't currently have? 

SALVATORE 

For real? Aw, this is like Christmas! I can't believe Amelia sent you! 

JOEY 

Can we wish for anything? 

HR PERSON 

You can certainly make any wish. I can't guarantee you'll get it.  

JOEY 

Awesome! And there's no cap like with Secret Santa? I always have to steal stuff, otherwise, how could I get Salvatore a Nintendo Switch if there's a ten-pound limit? 

SALVATORE 

That was you? Aw, I love my Switch!  

JOEY 

I knew you do! Only I wish you'd let me play sometimes. 

SALVATORE 

I'm just gonna finish Zelda first, and then I'll let you try. 

JOEY 

But -  

SALVATORE 

I need to check if the game works. Wouldn't want you to be disappointed. 

JOEY 

Oh. 

SALVATORE 

So, Biniyam. Can I get more Giallo-films? 

HR PERSON 

Films? No, no, we're talking about -  

SALVATORE 

They're awesome. Really violent. They remind me of the motherland.  

HR PERSON 

I was thinking more of -  

JOEY 

I want an ice cream machine! Soft serve!   

SALVATORE 

I want a bubble bath! 

JOEY 

Oh, and a sauna! 

SALVATORE 

I want a Ferrari!  

JOEY 

You fixed up that one Ferrari.  

SALVATORE 

One we don't blow up, one that I can keep.  

JOEY 

I want a flesh light! 

HR PERSON 

What is a flesh light? 

JOEY 

I'm not sure, but I think it's a light that makes all the walls in your room look like flesh! And then either you feel like you've been eaten by a big monster, or you feel like you're still inside the womb and you feel like a foetus again and you're all innocent and you have no responsibility in the whole world and you can just sleep!  

SALVATORE 

I'd like a new lighter. It's run out of gas.  

Beat.  

HR PERSON 

Listen, you've got the wrong end of the stick. I'm not Santa Claus. I'm here to evaluate your performance. 

JOEY 

Evaluate? 

SALVATORE 

You're here to do what? 

HR PERSON 

Assess your workplace performance. What you achieve in your work, and if there's any room for improvement - personal improvement - which would make you feel proud and -SALVATORE 

Vattene! Get out!  

JOEY 

Who do you think you are? 

SALVATORE 

Joey, give me a hand!  

JOEY 

With pleasure! 

HR PERSON 

Now, listen, it's not a bad thing - 

JOEY 

Why me? 

SALVATORE 

Yeah, why us, eh? We're bustin' our arses while other people here drink cocoa and play fuckin' tiddlydicks!  Now, Joey, get her out of my workshop! 

JOEY 

Please, will you - ! 

SALVATORE 

Yeah! 

Ironic: 

"Please" leave! Assessing me! Vattene! Joey, kick her out! 

HR PERSON 

No no, wait, an appraisal is just -  

SALVATORE 

I'll put my appraisal up your backside! Now, Joey kick her out! 

JOEY 

You're not the boss of me! 

SALVATORE 

You're right, she's not the boss of us! 

JOEY 

NO I MEAN YOU! YOU'RE NOT MY BOSS!  

Silence. 

SALVATORE 

Scusa? 

JOEY 

You're always bossing me around. And I can't take it anymore. You're out of line! 

SALVATORE 

How d'you figure? 

JOEY 

You're not my boss!  

SALVATORE 

I'm your senior! 

JOEY 

You're not!  

SALVATORE 

I'm your line manager! 

JOEY 

We've got the same job! We just do different things! 

SALVATORE 

That makes no sense! And I'm older than you! 

JOEY 

By how much? 

SALVATORE 

I don't know the maths! Doesn't matter, I'm awake, so that makes me the boss! 

JOEY 

All the best bosses are asleep, that's how you know they're the top boss, they don't need to do nothin'! 

SALVATORE 

Oh, so you're the boss now cos you sleep at work? 

JOEY 

None of us is the boss! Amelia's the boss! 

SALVATORE 

She's not! Cocoa dude's the boss! 

JOEY 

Cocoa dude? He's the secretary! 

SALVATORE 

Alvina's the secretary! You idiota! Cocoa man does the interviews!  

JOEY 

No you're the idiota! Alvina's the Client Outburst Officer!  

SALVATORE 

Well she's not your boss that's for sure! Cos that's me!  

JOEY 

You're not! Listen, I don't know who's boss! Maybe it's Alvina, maybe it's Kozlowski, maybe it's Amelia! But it's definitely NOT YOU! But you always act like this big man, you say "do this, do that" - ! 

SALVATORE 

Cos you never know what to do! What would you actually get up to if I didn't tell you? Huh? Nothin'! Because, one: You're asleep when they give the order! Then two: You're asleep again when they repeat it! And three: You show zero initiative!  

JOEY 

I initiated Sundae Sundays! 

SALVATORE 

OK, outside ice cream, what have you initiated? You're always asleep! 

JOEY 

I'm tired cos you boss me 'round so much!  

SALVATORE 

Oh, come here you little - ! 

They break into a fight. Punches land, stuff gets knocked over, perhaps the welder is turned back on again at one point.  

 

(SCREAMING AND SHOUTING. THE HR PERSON HIDES. SHRIEKS. THIS GOES ON FOR A WHILE) 

 

HR PERSON 

Oh for god's sake...  

 

(THE HR PERSON GETS OUT FROM THEIR HIDING PLACE) 

 

HR PERSON 

STOOOOOOOP!! 

 

(JOEY AND SALVATORE STOP. THEY BREATHE HEAVILY) 

 

JOEY 

What? 

HR PERSON 

In my decades of organizational consulting, I’ve witnessed a lot of things. But nothing. Nothing like this. However, I think at the root of this - behind the blatant violence - I can see what the problem is.  

SALVATORE 

Yeah, he is. 

JOEY 

He is. 

SALVATORE 

He is. 

JOEY 

He is.  

HR PERSON 

Now please, sit down, breathe and listen to me for a second. 

 

(JOEY AND SALVATORE SIT DOWN) 

 

SALVATORE 

A'ight.  

HR PERSON 

Numerous times I have seen the catastrophic consequences of treating employees as interchangeable units rather than complex, nuanced individuals. 

SALVATORE 

I'm very complex. 

JOEY 

And I'm nuanced. 

HR PERSON 

One particular incident crystallizes this understanding. Two professionals, pushed to their breaking point in a high-pressure environment, escalated their conflict to a physical confrontation. Fisticuffs. Nothing like this. But still. The conventional playbook would dictate immediate disciplinary action, perhaps termination, or a structured intervention that reads like a legal document. But no! No.  

Instead I initiated a more surgical approach. 

JOEY 

You're gonna operate on us? 

HR PERSON 

No no no. 

SALVATORE 

You could try lobotomizing him, that might work.  

JOEY 

defiantly 

Wouldn't change nothin'. 

HR PERSON 

I got the parties to talk, to try to reveal the underlying truth. And I did. What appeared to be a fundamental personal incompatibility was, in reality, a communication breakdown fueled by unaddressed systemic pressures.  

JOEY 

Huh? 

HR PERSON 

An extraordinary transformation occurred by creating space for genuine dialogue and listening beyond the surface-level narratives. These same individuals who moments before were unable to occupy the same room voluntarily reconciled, establishing a working relationship founded on mutual understanding. 

SALVATORE 

Like he said: Huh? 

HR PERSON 

I'm just trying to see if I have any tools in my toolbox. 

JOEY 

We're in a workshop, there's plenty of tools.  

HR PERSON 

Salvatore. I don't think you feel superior to Joey. 

 

BEAT. 

 

SALVATORE 

How'd'you know?  

JOEY 

What? 

HR PERSON 

I'm good at my job. Now, please. Tell him. I can see you care about him. 

SALVATORE 

Well... Yeah, I mean...  

HR PERSON 

Tell him. 

SALVATORE 

Listen, JOEY, mate. I don't want anyone to compare the two of us 'cause... 'cause I don't know who they'd keep.  

JOEY 

Scusa? 

SALVATORE 

If they were to fire one of us. I think they'd keep you.  

JOEY 

They'd obviously keep you! You're the one who does everything! I just fall asleep, like you said. I'm useless. 

SALVATORE 

You're not useless. You can take a beating like no one I've ever met! 

JOEY 

(CHUCKLES) I can. 

SALVATORE 

You're indestructible, you're like a superhero. But me? They got Luke in, didn't they. To build stuff. And Kozlowski also builds stuff. I try to impress them, but there's only so many guns I can fit into a blender, you know? 

JOEY 

I suppose... 

SALVATORE 

And all the time, they treat you with such... understanding. They always give you an easy time. Cos they like you more.  

JOEY 

I thought they gave you all the jobs cos they like you more! 

SALVATORE 

Maybe they don't like any of us!  

JOEY 

It's us against the world. 

SALVATORE 

You and me. 

JOEY 

You and me.  

HR PERSON 

Maybe they like both of you equally much.  

SALVATORE 

Nah...! 

JOEY 

Nah, that doesn't sound right.  

HR PERSON 

Regardless, I'm not here to fire anyone. Or recommend anyone gets fired.  

SALVATORE 

You're not? 

HR PERSON 

No.  

SALVATORE 

Aw, that's a relief! 

HR PERSON 

I'm just here to get you to... connect. 

JOEY 

Aw, thank you. We needed that. 

HR PERSON 

To get you to talk.  

SALVATORE 

Talk? 

HR PERSON 

Yes, to spill the tea as it were about - 

SALVATORE 

You want us to snitch? 

HR PERSON 

No no no - 

SALVATORE 

You're here to get us to rat on people? Who do you think we are! 

JOEY 

That goes against the code! 

HR PERSON 

No I - !  

SALVATORE 

Get out! 

JOEY 

Yeah, get out! 

SALVATORE 

Vattene! 

JOEY 

Vattene! 

SALVATORE 

Come on, mate, let's throw her out together!  

JOEY 

Let's! I'll grab the legs! 

 

(JOEY AND SALVATORE SCRAMBLE TO THEIR FEET. SO DOES THE HR PERSON. THE HR PERSON RUNS OUT) 

 

HR PERSON 

No no no, no need! I'll leave! I'll leave! I'll leave on my own accord! We're done anyway!  

 

(THE DOOR SLAMS SHUT BEHIND HER) 

 

JOEY 

Want me to weld for a bit? You could catch a nap? 

SALVATORE 

Nah. You just sleep. You're better at it.  

 

END OF EPISODE.  

 

 

The Amelia Project is a production of Imploding Fictions. This episode featured: 

 

Stan Morris as JOEY 

Fernando Tiberini as SALVATORE 

And Jen Austen as the HR agent.  

 

It was written and directed by Øystein Ulsberg Brager, with direction and story editing by Philip Thorne and dialogue editing by Omer Mansano. Sound design by Paul Kraner, music by Fredrik Baden, graphic design by Anders Pedersen and production assistance by Maty Parzival.  

 

The Executive Producer was Emelda Bates who will disappear whilst testing a new sports car, when two Italian mobsters burst onto the scene committing grand theft auto, shoving Emelda into the boot of the car, and speeding off, never to be seen again.  

 

Amelia’s Appraisals would not have been possible without the generous support from HR Agent. You can find them at hragent.com 

 

As always, we’d also like to thank all of our patrons, whose monthly pledges are the foundation on which all of our creative endeavours are built. If you’re a patron of The Amelia Project, from as little as 5 dollars, you’ll get free livestream access to our summer events aboard Theatreship.  

 

A super duper fancy schmancy hush hush and non-patented shoutout to our super patrons at the 20 dollar tier and above, at the time of recording that’s:  

Celeste Joos, Heat 312, Alban Ossant, Amélie and Alison, Stefanie Weittenhiller, Rafael Eduardo Wefers Verastegui, Alison Thro, Patricia Bohnwagner, Bryce Godmer, Cliff Huizenga, Michael West, Tim McMackin, Tibbi, Courtney Mays Rensen, Astra Kim, Olivea Dodson, Philip Hansen, Michael David Smith, LG, Ryan Burnett, Timotheus, Miss Nixie, Mystic Sybil, Tiffany Duffy, Jason Woods, Ryan O’Mara, Stefan Hartinger, Lucille Farrell, Anonymous, Iris, Jade Pickering, Daniella Nissen, Kelsey Paige, Silas X, Isabella Arzeno, Geethebluesky, Canal Cryptid, Ethan Cobb, Helden Inkheart, Atiyyah Makada, Maks Jaromin, DJ Goodall, Captaincache, Nitali Arora, Sunny D Anomaly, Merlock20, PostmasterGeneralKwanSentMe, Cheryl Downey-Eber, Nina Korzeniewski, Eli, Katherine Joiner, Selwyn Justice, jchooey, Andrew Lake, Ragnar Jensen. 

That’s all for now, we’ll be back soon, and in the meantime, check out ameliapodcast.com